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A Quiet Moment Compact Disc [AQM] |
$18.00 USD |
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Compact Disc
Three fantastic classical guitarists, Darren Curtis Skanson, Andrew Thomas Harling and Russell Donnellon, join forces to bring you the softest and most peaceful guitar CD ever.
With a combined sixty years of guitar experience between the 3 of them, this CD will be a must for your collection
The highlight of the CD will be the guitar trio arrangement of Beethoven’s 7th symphony in a theme and variations form,
other highlights will be “The Cavatina (Theme form the Deer Hunter)”, “Recuerdos De La Alhambra”, Bach’s “Ave Maria”,
“Scarborough Faire”, and a delicate arrangement of the American folk tune “Shenandoah”.
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Click on each song title below to listen to an approximate 30 second segment of the song. Expand and learn more information about each song and composer by clicking on the Show Info description link next to each song title or by clicking on the composer's name. Buy song by clicking on the plus icon under downloads.
| Track |
Song Title |
Description |
Composer(s) |
Musician(s) |
Downloads |
| 01 |
Ave Maria (Bach/Gounod) |
Show Info |
Bach-Gounod |
Skanson |
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This lush instrumental arrangement with classical guitar, violin, and cello captures the reverence and beauty of this timeless piece. Written in 1852, this song is a wedding music favorite right along side "Canon In D" by Pachelbel, "Jesu, Joy Of Man's Desiring" by Bach, and Wagner's "The Bridal March.
The words are taken from the Gospel of St. Luke and is a hymn or prayer to the Virgin Mary . It was originally adapted for use in the Roman Catholic mass in the 16th century. This Ave Maria, not to be confused with the Franz Shubert Ave Maria which is probably the more familiar, is the second most recognizable. Artist Comments
As a composition, this piece is unique for it is a composition by two different composers living at very different times. Contrary to your perceptions, it has always been common for composers and musicians to play and compose on other’s music and themes, producing something different or outstanding. It was a part of the creativity of music and I have used this technique myself, especially for duet work. See my CD, Duettos Catanbiles.
In 1853 the French composer Charles Gounod (1818-1893) wrote a piece for violin and/or various other instruments, entitled Mιditation sur le 1er Prιlude de piano de S. Bach. He later transcribed it for voices, and later still, in 1859, added the words of the Ave Maria.
So the melody was composed by Gounod; the accompaniment, however, consists of the first prelude of J.S. Bach’s Das Wohltemperirte Clavier (The Well-tempered Clavier), written in 1722. Gounod did add one bar.
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| 02 |
Theme & Variations from the 7th Symphony Movement #2 Allegretto |
Show Info |
Ludwig van Beethoven |
Skanson, Harling and Donnellon |
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The original piece, like many of Beethoven's compositions, is generally seen as a great work. Three classical guitars and a string trio of violins and cello make this theme and variations arrangement truly unique version of the great piece. Based on the 2nd Allegretto movement, the three classical guitars weave interesting and complex variations of the haunting theme while the string trio lends wonderful harmonic support. Ludwig van Beethoven began substantial work on his Symphony No. 7 in A major (Op. 92) in 1811 while in the Bohemian spa town of Teplice, where he had gone in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Freis. Artist Comments
The story behind the conception of this arrangement is very interesting. Originally Russell Donnellon recorded this piece solo for his record "Since You Asked..." which Darren Curtis Skanson produced and recorded in his recording studio in Denver. As Darren was listening to Russell record it, Darren started to get the vision of how great it would be as a guitar trio where each guitarist would take turn doing their own variation. After Darren finished Russell's record, he asked Russell if he could pursue that and Russell agreed. Here is where it gets interesting. Since Russell had to leave town, Darren could not do the arrangement and have the 3 guitars play all together. So Darren decided to use his studio computer recording system as a musical word processor. Russell had already laid down the chord progression as a guide, so Darren, Andrew, and Darren's cellist, Wayne Templeman all came in at separate times and laid down the variations and support tracks. Darren then took these tracks and all of Russell's takes and started assembling them into the arrangement you now hear on the record. It took Darren 4 eight hour days to edit it all together. So none of the parts you hear on this recording were recorded at the same time. Ah, life in the modern world!
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Ludwig van Beethoven (pronounced [ˈbeː.to.vən]) (baptized December 17, 1770[1] – March 26, 1827) was a German composer and pianist. He is widely regarded as one of history's greatest composers, and was the predominant figure in the transitional period between the Classical and Romantic eras in Western classical music. His reputation and genius have inspired—and in many cases intimidated—ensuing generations of composers, musicians, and audiences.
Beethoven's first music teacher was his father, a musician in the Electoral court at Bonn who was apparently a harsh and unpredictable instructor. Johann would often come home from a bar in the middle of the night and pull young Ludwig out of bed to play for him and his friend. Beethoven's talent was recognized at a very early age. His first important teacher was Christian Gottlob Neefe. In 1787 young Beethoven traveled to Vienna for the first time, where he may have met and played for Mozart. He was forced to return home because his mother was dying of tuberculosis. Beethoven's mother died when he was 16, and for several years he was responsible for raising his two younger brothers because of his father's worsening alcoholism.
Beethoven moved to Vienna in 1792, where he studied for a time with Joseph Haydn in lieu of Wolfgang Amadeus Mozart, who had died the previous year. He received additional instruction from Johan Georg Albrechtsberger (Vienna's preeminent counterpoint instructor) and Antonio Salieri. Beethoven immediately established a reputation as a piano virtuoso. His first works with opus numbers, the three piano trios, appeared in 1795. He settled into the career pattern he would follow for the remainder of his life: rather than working for the church or a noble court (as most composers before him had done), he supported himself through a combination of annual stipends or single gifts from members of the aristocracy, income from subscription concerts, concerts, and lessons, and sales of his works.
Beethoven was much taken by the ideals of the Enlightenment and by the growing Romanticism in Europe. He initially dedicated his third symphony, the Eroica (Italian for "heroic"), to Napoleon in the belief that the general would sustain the democratic and republican ideals of the French Revolution, but in 1804 crossed out Napoleon's name on the title page upon which he had written a dedication to him, as Napoleon's imperial ambitions became clear, renamed the symphony as the "Sinfonia Eroica, composta per festeggiare il sovvenire di un grand Uomo", or in English, "composed to celebrate the memory of a great man". The fourth movement of his Ninth Symphony features an elaborate choral setting of Schiller's Ode An die Freude ("Ode To Joy"), an optimistic hymn championing the brotherhood of humanity.
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| 03 |
Reflections |
Show Info |
Andrew York |
Harling |
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This melancholy piece is a an example of the great classical guitar music being composed by a select handful of talented modern composers. Andrew York (the composer of this piece), Ralph Towner, Darren Curtis Skanson and many more are contributing to the new wealth of repertoire for the instrument. Andre Segovia, the father of classical guitar, would be happy as that was his charge to classical guitarists everywhere, create repertoire. As the tilte implies, the song quielty leads you to a point of solitary relection and contemplation. Artist Comments
Andrew York is a guitarist and composer from the LA area. He is most famous for being the 4th guitarist in the popular classical quartet, LAGQ. I had the fortune to study with Andrew and I consider him to be the best living guitar composer today. Notice how he weaves lines and connects ideas with beautiful delicate passages.
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Andrew York is one of today's most visible and innovative classical guitar composers, and a member of the GRAMMY winning Los Angeles Guitar Quartet. Andrew"s discography includes California Breeze, a new recording for Sony Japan, three solo CD's for the GSP label, ten CD's with the LAGQ on Delos, Sony and Telarc labels, as well as inclusions on numerous compilation recordings. York's compositions have also been recorded by guitar luminaries John Williams, Christopher Parkening, Scott Tennant and William Kanengiser.
As a published composer, York's works appear in print worldwide through Alfred Publications, Hal Leonard, Mel Bay Publications, Guitar Solo Publications, Doberman-Yppan in Canada, Ricordi in London, and in Japan through Gendai and Rittor Music.
Andrew is a virtuoso classical and jazz guitarist; an extremely rare combination. As a classical guitarist, Andrew received a grant from the Del Amo Foundation for Study in Spain, and as a jazz player studied with Joe Diorio and Lenny Breau. Andrew received his Master of Music degree from University of Southern California, and is the only USC graduate in the school's history to twice receive the Outstanding Alumni of the Year Award in 1997 as a member of LAGQ and in 2003 as the sole recipient.
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| 04 |
Recuerdos De La Alhambra |
Show Info |
Francisco Tarrega |
Skanson |
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This title means "Memories of the Alhambra." The Alhambra is a is an ancient mosque, palace and fortress complex of the Moorish monarchs of Granada, in southern Spain (known as Al-Andalus when the fortress was constructed). It occupies a hilly terrace on the south-eastern border of the city of Granada. It was the residence of the Muslim kings of Granada and their court, but is currently a museum exhibiting exquisite Islamic architecture.
One of the big 2 Spanish classical guitar composers, Tarrega lived into the 20th century. This piece is his all time master work and uses a guitar technique that is probably the most difficult to master of all guitar techniques. The tremolo technique is where the 3 fingers of the guitarists right hand quickly, steadily, repeat one note. The effect if done properly creates a continuous sound almost like a bowed string or wind instrument. You can almost hear the wind blowing over the Alhambra. Artist Comments
As a guitarist, you cannot help but love this song. Having been to Spain, it just added to my sensual connection with this piece. The open and arid feel of Spain is perfectly captured in this song. I hope it conjures the same images for you.
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Born in Villarreal, Spain, Francisco Tarrega fell into an irrigation channel when he was young, which rendered him nearly blind. Partially due to this accident, the family moved to Castellon and enrolled him in music classes. He entered the Madrid Conservatory in 1874, under the sponsorship of a wealthy merchant named Antonio Canesa, where he studied composition under Emilio Arrieta. By the end of the 1870s, he was teaching the guitar and giving regular concerts. A virtuoso on his instrument, he was known as the "Sarasate of the guitar". He later settled in Barcelona, and died there in 1909.
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| 05 |
Shenandoah |
Show Info |
Russell Donnellon |
Donnellon |
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This solo finger style guitar version of this American folk song was written around 1810. It originated as a river chantey and then became popular with sea-going crews in the early 1800s.The song found its way down the Missouri and Mississippi Rivers to the American clipper ships, and thus around the world. The lyrics tell the story of a roving trader in love with the daughter of an Indian chief; the rover tells the chief of his intent to take the girl with him far to the west, across the Missouri River. Artist Comments
It was about 1:00 in the morning and Darren and I were working on recording this arrangement of Shenandoah. We had some good takes that we thought we could edit together, but he was still not happy with the feel. So Darren asked me to give him one more take as soft and delicate as I could play. The result was a performance so fragilely beautiful that we kept the whole thing as you heard it on the recording.
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Russell Donnellon Solo Guitarist - Russell Donnellon is an innovative and versatile performer whose style reflects the wide scope of his influences. He joins the classical guitar (its technique, repertoire, counterpoint and sonic palette) with the harmonic and improvisational impulse of jazz. Romantic, deeply textured, vividly evocative and heartwarming, it is supported by the rhythms of Brazil, the Caribbean, Spain, the Gypsies, and American Pop, Country, Blues, Jazz and Gospel. Russell pushes the envelope of the orchestral and emotional potential of the solo guitar.
A headliner at the 2002 New York Guitar Festival, (an international roster of stringed instrument players) Russell received fine reviews from the New York Times and the Wall Street Journal. As a headliner at the 2003 Montreal Jazz Festival, Russell received an overwhelming reception and reviews.
In 2004, Russell was a part of the “Guitar Harvest” compilation (a program of master guitarists) as a benefit for public school music education. He has produced 3 CDs of original solo guitar music and two CDs of familiar classics.
At age ten, Russell began performing popular music in the New York City area. He spent his high school years playing gospel music at churches and festivals in the northeast. His university studies were in classical composition, jazz and philosophy. They were augmented by his interest in traditional musics from around the world. Russell soon found himself traveling to Spain, South America, the Caribbean, Southeast Asia and Africa where he absorbed the music at its source.
Russell moved to California in the 80s and abandoned ensemble playing altogether. Instead he focused on playing solo nylon-stringed guitar. In love with the rich and gentle tones of the Spanish guitar, he immersed himself in Flamenco and Brazilian music, performing at Latin clubs and jazz festivals in San Francisco and Los Angeles.
In the late 80s, Russell began experimenting with busking (playing for donations and CD sales) on the New York City streets, Central Park, and at art fairs in the New York area.
Russell began touring nationally in the 90s and is currently on tour eight months per year performing concerts, educational workshops, private engagements and entertaining on the art fair circuit.
The challenge of attracting and maintaining an audience in these environments teaches an artist about the value of the listener. The sale of recordings at performances is direct, and Russell relishes the personal communion with people. In this manner he hopes to be true to both himself and his audience.
Russell loves to tap into the energy of the people as a source of inspiration for the improvisation at hand. He engages them in a lively emotional dialogue, pulling at the threads of common human experience. Few performers are more comfortable with their audience and few listeners are able to resist the message of this dynamic performer.
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| 06 |
Sheep May Safely Graze |
Show Info |
Johann Sebastian Bach |
Skanson |
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Originally Composed by Johann Sebastian Bach for high voice and piano, this version with classical guitar, bouble bass, cello, and violin retains the essence of the song. The slow but measured pace brings a serentity and peace to a world sorely lacking it. From the 'Birthday Cantata' in A flat Major, Sheep May Safely Graze is one of Johann Sebastian Bach's grerat works and is often used as the processional for weddings. Artist Comments
Ayn Rand, the famous writer of "The Fountainhead" and "Atlas Shrugged" describes art as a reflection of the artist's sense of life. Johann Sebastian Bach was a devout Christian whose religious beliefs permeated his music. This piece is no exception. If you imagine the title of the piece as "His Sheep May Safely Graze" and listen to it you get the idea of Bach's feelings toward his faith.
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Johann Sebastian Bach (1685-1750) Bach is considered by many to have been the greatest composer in the history of western music. Bach’s main achievement lies in his synthesis and advanced development of the primary contrapuntal idiom of the late Baroque, and in the basic tunefulness of his thematic material. He is often regarded as one of the pinnacle geniuses of western civilization.
Bach spent the height of his working life in a Lutheran church position in Leipzig, as both organist and music director. Much of his music is overtly religious, while many of his secular works admit religious interpretations on some levels. His large output of organ music is considered to be the greatest legacy of compositions for the instrument, and is the measure by which all later efforts are judged. His other solo keyboard music is held in equally high esteem, especially for its exploration of the strictly contrapuntal fugue; his 48 Preludes & Fugues (The Well-Tempered Clavier) are still the primary means by which these forms are taught.
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| 07 |
Caminata |
Show Info |
Ralph Towner |
Harling |
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Caminata is a comune (municipality) in the Province of Piacenza in the Italian region Emilia-Romagna. This soothing solo classical guitar work performed by Andrew Thomas Harling is another example of the great new compositions for the guitar by modern composers. Its measured pulse stats steady throughout the song giving an almost clock like feel. Artist Comments
In my mind, if Andrew York is #1 among living guitar composers, Ralph Towner is probably #2. Towner is the guitarist and founding member of the group Oregon. Oregon is a big influence of mine and their disc Moscow is among my all time favorites.
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Ralph Towner is an American acoustic guitarist. He also plays piano, synthesizer, and trumpet.
Born in 1940 in Chehalis, Washington, Towner is one of the most diversely talented musicians of the past half-century, and has made notable recordings of jazz, classical music, folk music, and world music. He began his career as a conservatory-trained classical guitarist, then joined world music pioneer Paul Winter's "Consort" ensemble in the late 1960s. Along with bandmates Paul McCandless, Glen Moore, and Collin Walcott, Towner left the Winter Consort in 1970 to form the group Oregon, which over the course of the 1970s issued a number of highly influential records mixing folk music, Indian classical forms, and avant-garde jazz-influenced free improvisation.
At the same time, Towner began a longstanding relationship with the influential ECM record label, which has released virtually all of his non-Oregon recordings since his 1972 debut as a leader Trios/Solos. Towner has also made numerous appearances as a sideman, perhaps most famously on jazz fusion heavyweights Weather Report's 1972 album I Sing the Body Electric.
Unlike most jazz guitarists, Towner eschews amplification, using only 6-string nylon-string and 12-string steel-string guitars. As a result, he tends to avoid high-volume musical environments, preferring small groups of mostly acoustic instruments that emphasize dynamics and group interplay.
Both with Oregon and as a solo artist, Towner has made significant use of overdubbing, allowing him to play piano (or synthesizer) and guitar on the same track; his most notable use of the technique came on his 1974 album Diary, in which he plays guitar-piano duets with himself on most of the album's 8 tracks. In the 1980s, Towner began using the Prophet V synthesizer fairly extensively, but has since deemphasized his synthesizer and piano playing in favor of guitar.
Towner now lives in Rome, Italy.
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| 08 |
A Quiet Moment With My Guitar |
Show Info |
Skanson / Tarrega |
Skanson |
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As you look for that moment of peace in your day, this solo classical guitar selection will take those worries away. Artist Comments
I took this Tarrega guitar study, added a new intro, outro, and a whole new section and retitled it. Its original title was Study in E Minor, but that was just too boring.
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Tarrega/ Skanson
Born in Villarreal, Spain, Francisco Tarrega fell into an irrigation channel when he was young, which rendered him nearly blind. Partially due to this accident, the family moved to Castellon and enrolled him in music classes. He entered the Madrid Conservatory in 1874, under the sponsorship of a wealthy merchant named Antonio Canesa, where he studied composition under Emilio Arrieta. By the end of the 1870s, he was teaching the guitar and giving regular concerts. A virtuoso on his instrument, he was known as the "Sarasate of the guitar". He later settled in Barcelona, and died there in 1909.
Darren Curtis Skanson was born in 1967 to a farm/ teaching family in Minnesota. Encouraged in music from a young age, Skanson sang and played instruments throughout his grade scool years. At 13 he took his first guitar lessson and began a partnership with the instrument that has produced a wide variety of music. Most known for his claasical guitar compositions and arrangements, Skanson continues to record, compose and perform out of his Denver, Colorado base. His discograhpy currently includes 10 compact discs of arrangements and original work with over 200 pieces to his credit.
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| 09 |
Without You |
Show Info |
Darren Curtis Skanson |
Skanson |
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This classical guitar solo combines haunting jazz chords with the beatiful nylon string guitar tone for a composition that completely evokes the title. Composed in 2004, it displays the delicate touch and phrasing that has become a trade mark of Skanson's work. Artist Comments
Most of the time when I write music, I do not start with the title. Once I finish the piece, I reflect on what the song is saying to me. This melancholy melody said "Without You".
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Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.
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| 10 |
Cavatina Theme From The Deerhunter |
Show Info |
Stanley Myers |
Harling |
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Movie Fans will definately recognize this famous movie theme from "The Deerhunter". The solo classical guitar is an already moving instrument. When coupled with this stirring piece by Stanley Meyers, a wonderful audio experience is created. If you add the powerful performances of Robert DeNiro and Christopher Walken from the movie, you have an unforgettable memory. Artist Comments
This is such a wonderful piece. It is no wonder that it is considered a modern day masterpiece. Originally recorded by the famous studio guitarist Tommy Tedesco as a guitar duet, my arrangement has combined both parts into one solo classical guitar work. I hope you enjoy.
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Stanley Myers: Noted composer for over 60 British and American films who scored his first movie, "The Kaleidoscope," in 1966. In addition to scoring, Myers conducted and wrote songs for these numerous film projects, many of them highlights of post-war British cinema. They include "Ulysses" (1967), Michael Powell's "Age of Consent" (1969), and most of the later films of Nicholas Roeg and Stephen Frears, including "Insignificance" (1985) and "Sammy and Rosie Get Laid" (1987). Most famous for his theme for "The Deerhunter" (1978), Myers had a tremendously productive work life that encompassed assignments ranging from the somber demands of Volker Schlondorff's "Der Fangschuss/The Coup de Grace" (1976) and Jerzy Skolimoskwi's "Moonlighting" (1982) to the lighter tones of the flushed Anglo comedy "Wish You Were Here" (1987).
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| 11 |
Scarborough Faire |
Show Info |
David Oakes |
Harling |
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Ever since Simon and Garfunkel made this traditional song famous, instrumentalists have been doing arrangements of this piece with varying degrees of success. This arrangement is a winner. David Oakes of LAGQ did this arrangement and it features a wonderful cascading effect done by arpegiating very long extended chords. Very cool.
Arrangement by David Oakes Artist Comments
If any one of us is fortunate to have a song last 600 years like Scarborough Faire, we would be one of the luckiest people to have ever lived on the planet. I just hope the origianl composer gets a few smiles everytime his song is played!
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David Oakes, adjunct assistant professor, studio/jazz guitar, received a bachelor of music degree from the North Carolina School of the Arts. He also studied classical guitar with Pepe Romero, flamenco guitar with Juan Serrano and jazz guitar with Ted Greene and Ron Eschete. Mr. Oakes premiered the first recording of the Bayside Concerto for Guitar and Strings by third stream composer George Roumanis. In addition, he has worked as a studio musician, recording both television and film projects for NBC and Paramount Studios. Mr. Oakes' first book, Music Reading for Guitar, published by Hal Leonard Corporation, is a best selling method book for guitar.
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Thanks and Credits:
- Recorded at Colorado Creative Music Studios (CCM), Denver Colorado in 2002.
- Produced by Tom Capek.
- Guitars engineered by Tom Capek and Darren Curtis Skanson.
- Strings engineered by Darren Curtis Skanson and Tom Capek.
- Mixed by Kevin Clock at Colorado Sound Recording, Westminster Colorado.
- Mastered by Tom Capek at Colorado Sound Recording, Westminster Colorado.
- Cover, graphic design and layout by John Holland, Misty Mountain Graphics -
www.mistymountaingraphics.com
- All guitars performed by Darren Curtis Skanson on a 1969 Ramirez Classical guitar.
- All live performances at performed using a custom hand made Pimentel classical guitar built New Mexico.
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| This product was added to our catalog on Wednesday 04 October, 2006. |
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