Classica
Compact Disc
[CLASSICA]

Andrew York is one of today's most visible and innovative classical guitar composers, and a member of the GRAMMY winning Los Angeles Guitar Quartet. Andrew"s discography includes California Breeze, a new recording for Sony Japan, three solo CD's for the GSP label, ten CD's with the LAGQ on Delos, Sony and Telarc labels, as well as inclusions on numerous compilation recordings. York's compositions have also been recorded by guitar luminaries John Williams, Christopher Parkening, Scott Tennant and William Kanengiser. As a published composer, York's works appear in print worldwide through Alfred Publications, Hal Leonard, Mel Bay Publications, Guitar Solo Publications, Doberman-Yppan in Canada, Ricordi in London, and in Japan through Gendai and Rittor Music.

Andrew is a virtuoso classical and jazz guitarist; an extremely rare combination. As a classical guitarist, Andrew received a grant from the Del Amo Foundation for Study in Spain, and as a jazz player studied with Joe Diorio and Lenny Breau. Andrew received his Master of Music degree from University of Southern California, and is the only USC graduate in the school's history to twice receive the Outstanding Alumni of the Year Award in 1997 as a member of LAGQ and in 2003 as the sole recipient.

Ludwig van Beethoven (pronounced [ˈbeː.to.vən]) (baptized December 17, 1770[1] – March 26, 1827) was a German composer and pianist. He is widely regarded as one of history's greatest composers, and was the predominant figure in the transitional period between the Classical and Romantic eras in Western classical music. His reputation and genius have inspired—and in many cases intimidated—ensuing generations of composers, musicians, and audiences.

Beethoven's first music teacher was his father, a musician in the Electoral court at Bonn who was apparently a harsh and unpredictable instructor. Johann would often come home from a bar in the middle of the night and pull young Ludwig out of bed to play for him and his friend. Beethoven's talent was recognized at a very early age. His first important teacher was Christian Gottlob Neefe. In 1787 young Beethoven traveled to Vienna for the first time, where he may have met and played for Mozart. He was forced to return home because his mother was dying of tuberculosis. Beethoven's mother died when he was 16, and for several years he was responsible for raising his two younger brothers because of his father's worsening alcoholism.

Beethoven moved to Vienna in 1792, where he studied for a time with Joseph Haydn in lieu of Wolfgang Amadeus Mozart, who had died the previous year. He received additional instruction from Johan Georg Albrechtsberger (Vienna's preeminent counterpoint instructor) and Antonio Salieri. Beethoven immediately established a reputation as a piano virtuoso. His first works with opus numbers, the three piano trios, appeared in 1795. He settled into the career pattern he would follow for the remainder of his life: rather than working for the church or a noble court (as most composers before him had done), he supported himself through a combination of annual stipends or single gifts from members of the aristocracy, income from subscription concerts, concerts, and lessons, and sales of his works.

Beethoven was much taken by the ideals of the Enlightenment and by the growing Romanticism in Europe. He initially dedicated his third symphony, the Eroica (Italian for "heroic"), to Napoleon in the belief that the general would sustain the democratic and republican ideals of the French Revolution, but in 1804 crossed out Napoleon's name on the title page upon which he had written a dedication to him, as Napoleon's imperial ambitions became clear, renamed the symphony as the "Sinfonia Eroica, composta per festeggiare il sovvenire di un grand Uomo", or in English, "composed to celebrate the memory of a great man". The fourth movement of his Ninth Symphony features an elaborate choral setting of Schiller's Ode An die Freude ("Ode To Joy"), an optimistic hymn championing the brotherhood of humanity.

Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.

Ludwig van Beethoven (pronounced [ˈbeː.to.vən]) (baptized December 17, 1770[1] – March 26, 1827) was a German composer and pianist. He is widely regarded as one of history's greatest composers, and was the predominant figure in the transitional period between the Classical and Romantic eras in Western classical music. His reputation and genius have inspired—and in many cases intimidated—ensuing generations of composers, musicians, and audiences.

Beethoven's first music teacher was his father, a musician in the Electoral court at Bonn who was apparently a harsh and unpredictable instructor. Johann would often come home from a bar in the middle of the night and pull young Ludwig out of bed to play for him and his friend. Beethoven's talent was recognized at a very early age. His first important teacher was Christian Gottlob Neefe. In 1787 young Beethoven traveled to Vienna for the first time, where he may have met and played for Mozart. He was forced to return home because his mother was dying of tuberculosis. Beethoven's mother died when he was 16, and for several years he was responsible for raising his two younger brothers because of his father's worsening alcoholism.

Beethoven moved to Vienna in 1792, where he studied for a time with Joseph Haydn in lieu of Wolfgang Amadeus Mozart, who had died the previous year. He received additional instruction from Johan Georg Albrechtsberger (Vienna's preeminent counterpoint instructor) and Antonio Salieri. Beethoven immediately established a reputation as a piano virtuoso. His first works with opus numbers, the three piano trios, appeared in 1795. He settled into the career pattern he would follow for the remainder of his life: rather than working for the church or a noble court (as most composers before him had done), he supported himself through a combination of annual stipends or single gifts from members of the aristocracy, income from subscription concerts, concerts, and lessons, and sales of his works.

Beethoven was much taken by the ideals of the Enlightenment and by the growing Romanticism in Europe. He initially dedicated his third symphony, the Eroica (Italian for "heroic"), to Napoleon in the belief that the general would sustain the democratic and republican ideals of the French Revolution, but in 1804 crossed out Napoleon's name on the title page upon which he had written a dedication to him, as Napoleon's imperial ambitions became clear, renamed the symphony as the "Sinfonia Eroica, composta per festeggiare il sovvenire di un grand Uomo", or in English, "composed to celebrate the memory of a great man". The fourth movement of his Ninth Symphony features an elaborate choral setting of Schiller's Ode An die Freude ("Ode To Joy"), an optimistic hymn championing the brotherhood of humanity.

Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.

Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.

Mason Williams emerged in the late 1960’s as a strong force in television and music circles. He is most widely known as composer and recording artist of mega hit Classical Gas, which won three Grammy Awards for: “Best Instrumental Composition”, “Best Instrumental Performance”, and “Best Instrumental Orchestra Arrangement” (Mike Post, arranger).

In 1998, Broadcast Music, Inc., (BMI), presented Mason with a Special Citation of Achievement in recognition of the great national and international popularity of Classical Gas. It has logged over three million broadcast performances to become the number one all time instrumental composition for air play in BMI’s repertoire, replacing the previous #1 tune, The Theme From Moulin Rouge, by Michel Legrande, released in 1953.

In 1987, Mason teamed up with Mannheim Steamroller to release an album on the American Gramaphone label titled CLASSICAL GAS, a cut from this album, Country Idyll, was a Grammy Nominee for “Best Country Instrumental Performance by a Soloist, Group or Orchestra.” This album went Gold in 1991, and is now approaching Platinum.

In 1992 Mason released A GIFT OF SONG, an instrumental Christmas album featuring arrangements of traditional carols and original compositions. That same year, the Vanguard label released MUSIC 1968-1971, a compilation of cuts from his five Warner Bros. albums recorded in the late 60s, early 70s.

Under his own label, Skookum Records, Mason released EP 2003: MUSIC FOR THE EPICUREAN HARKENER, which has received a Grammy Nomination for Best Pop Instrumental Album.

Throughout the 70s, 80s and 90s, Mason created and performed concerts for band and orchestra; “SYMPHONIC BLUEGRASS” was performed with over 40 major symphonies. “OF TIME AND RIVERS FLOWING,” a chronological river of music encompassing the realms of classical, folk, minstrel, gospel, jazz, country, pop, and contemporary rock. His “A GIFT OF SONG” Holiday Pops concerts featured music from his Christmas album and various community artists and choirs.

Recent honors include an Honorary Doctorate of Music from his Alma Mater, Oklahoma City University and in 2000, Mason was officially designated the Musician Laureate for the State of Oregon.

Mason’s music has also made its way on-screen. It has been featured in several films including, The Story of Us, The Dish, Heartbreakers and Cheaper by the Dozen. On television, Classical Gas has been used in episodes of The Simpsons, Frasier and The Sopranos.

Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.

Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.

Johannes Brahms (1833-1897)
Born Hamburg, 7 May 1833; died Vienna, 3 April 1897. He studied the piano from the age of seven and theory and composition (with Eduard Marxsen) from 13, gaining experience as an arranger for his father's light orchestra while absorbing the popular alla zingarese style associated with Hungarian folk music. In 1853, on a tour with the Hungarian violinist Reményi, he met Joseph Joachim and Liszt; Joachim, who became a lifelong friend, encouraged him to meet Robert Schumann. Brahms's artistic kinship with Robert Schumann and his profound romantic passion (later mellowing to veneration) for Clara Schumann, 14 years his elder, never left him. After a time in Düsseldorf he worked in Detmold, settling in Hamburg in 1859 to direct a women's chorus. Though well known as a pianist he had trouble finding recognition as a composer, largely owing to his outspoken opposition - borne out in his d Minor Piano Concerto op.15 - to the aesthetic principles of Liszt and the New German School. But his hopes for an official conducting post in Hamburg (never fulfilled) were strengthened by growing appreciation of his creative efforts, especially the two orchestral serenades, the Handel Variations for piano and the early piano quartets. He finally won a position of influence in 1863-4, as director of the Vienna Singakademie, concentrating on historical and modern a cappella works. Around this time he met Wagner, but their opposed stances precluded anything like friendship. Besides giving concerts of his own music, he made tours throughout northern and central Europe and began teaching the piano. He settled permanently in Vienna in 1868.

Brahms's urge to hold an official position (connected in his mind with notions of social respectability) was again met by a brief conductorship - in 1872-3 of the Vienna Gesellschaftskonzerte - but the practical demands of the job conflicted with his even more intense longing to compose. Both the German Requiem (first complete performance, 1869) and the Variations on the St. Antony Chorale (1873) were rapturously acclaimed, bringing intemational renown and financial security. Honours from home and abroad stimulated a spate of masterpieces, including the First (1876) and Second (1877) Symphonies, the Violin Concerto (1878), the songs of opp.69-72 and the C major Trio. In 1881 Hans von Bülow became a valued colleague and supporter, 'lending' Brahms the fine Meiningen court orchestra to rehearse his new works, notably the Fourth Symphony (1885). At Bad Ischl, his favourite summer resort, he composed a series of important chamber works. By 1890 he had resolved to stop composing but nevertheless produced in 1891-4 some of his best instrumental pieces, inspired by the clarinettist Richard Mühlfeld. Soon after Clara Schumann's death in 1896 he died from cancer, aged 63, and was buried in Vienna.

Fundamentally reserved, logical and studious, Brahms was fond of taut forms in his music, though he used genre distinctions loosely. In the piano music, for example, which chronologically encircles his vocal output, the dividing lines beteen ballade and rhapsody, and capriccio and intermezzo, are vague, such terms refer more to expressive character than to musical form. As in other media, his most important development technique in the piano music is variation, whether used independently (simple melodic alteration and thematic cross-reference) or to create a large integrated cycle in which successive variations contain their own thematic transformation (as in the Handel Variations).

If producing chamber works without piano caused him difficulty, these pieces contain some of his most ingenious music, including the Clarinet Quintet and the three string quartets. Of the other chamber music, the eloquent pair of string sextets, the serious C minor Piano Quartet op.60 (known to be autobigraphical), the richly imaginative Piano Quintet and the fluent Clarinet Trio op.1l4 are noteworthy. The confidence to finish and present his First Symphony took Brahms 15 years for worries over not only his orchestral technique but the work's strongly Classical lines at a time when programmatic symphonies were becoming fashionable; his closely worked score led him to be hailed as Beethoven's true heir. In all four symphonies he is entirely personal in his choice of material, structural manipulation of themes and warm but lucid scoring. All four move from a weighty opening movement through loosely connected inner movements to a monumental finale. Here again his use of strict form, for example the ground bass scheme in the finale of the Fouth Symphony, is not only discreet but astonishingly effective. Among the concertos, the four-movement Second Piano Concerto in B-flat - on a grandly symphonic scale, demanding both physically and intellectually - and the Violin Concerto (dedicated to Joachim and lyrical as well as brilliant) are important, as too is the nobly rhetorical Double Concerto.

Brahms's greatest vocal work, and a work central to his career, is the German Requiem (1868) combining mixed chorus, solo voices and full orchestra in a deeply felt, non-denominational statement of faith. More Romantic are the Schicksalslied and the Alto Rhapsody. Between these large choral works and the many a cappella ones showing his informed appreciation of Renaissance and Baroque polyphony (he was a diligent collector, scholar and editor of old music) stand the justly popular Zigeunerlieder (in modified gypsy style) and the landler-like Liebeslieder waltzes with piano accompaniment. His best-loved songs include, besides the narrative Magelone cycle and the sublime Vier ernste Gesänge, Mainacht, Feldeinsamkeit and Immer leiser wird mein Schlummer.

Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.

Darren Curtis Skanson (1967 to present) American composer. Encouraged in music from a young age, Skanson began singing, playing instruments, and composing as early as he can remember. At 13 he took his first classical guitar lesson and began a partnership with the classical guitar that has produced a wide variety of music. After an outstanding collegiate career studying classical guitar, composition, and recording science, Darren spent the early part of the 1990's touring and composing for both the progressive band Mata Hari and violinist Malcolm Watson. Embarking on his solo career in 1995, his composition output exploded with works for classical guitar, acoustic fingerstyle guitar, 12 string guitar, cello, and violin. Skanson is known mostly for his classical guitar compositions and arrangements of Beethoven, Bach, Brahms, and other classical composers. Skanson continues to record, compose and perform out of his Denver, Colorado base. His discography currently includes 10 compact discs of classical guitar arrangements and original work with over 200 pieces to his credit. As well as playing solo, he performs with his trio of classical guitar, violin, and cello aptly named The Skanson String Trio.